Welcome
Custom Props, Set Dressing & Design for Theatre, Film and Live Events
Professional builds with meticulous detail and reliable turnaround.
TESTIMONIALS
Julie Tomaino, Director, Liars at a Funeral
Theodore Baerg, Opera Director, Don Wright Faculty of Music
Theodore Baerg, Opera Director, Don Wright Faculty of Music
"Though I have only recently begun working with Doug in rehearsals for our current production of Liars at a Funeral at Port Stanley Festival Theatre, I've been impressed by his preparedness, creativity, and strong communication. Doug brings an attentive, thoughtful approach to props coordination, and he demonstrates an intuitive understanding of storytelling through objects and design detail."
Theodore Baerg, Opera Director, Don Wright Faculty of Music
Theodore Baerg, Opera Director, Don Wright Faculty of Music
Theodore Baerg, Opera Director, Don Wright Faculty of Music
"Doug has delivered a high level of professionalism and creativity to our productions. He demonstrated a thorough understanding of the role that props play in storytelling, collaborating with the designers, directors and performers to ensure that each item was both functional and visually compelling. His attention to detail and ability to translate conceptual designs into tangible stage-ready props were particularly impressive. Beyond his technical skill set, Doug brought an admirable passion for theatre and a deep respect for the collaborative nature of the art form."
My Background
I have worked in the creative arts for most of my adult life, beginning in the publishing industry where I specialized in layout, graphic design, technical writing, and editing.
In 2022 I transitioned into the performing arts, first working in fund development at The Aeolian Hall and soon after moving into theatrical production as a Props Builder and Buyer for Port Stanley Festival Theatre.
I hold a Master’s degree in English Literature from Western University and am based in London, Ontario.
To continue expanding my design skills, I completed the intensive Set Design for Theatre workshop at Stratford's Off the Wall, led by acclaimed set designer Michelle Bohn. The week-long program explored the creative and technical process of scenic design, from script analysis and visual storytelling to model making and presenting design concepts. The experience has strengthened my understanding of scenic design and complements my work in props, set dressing, and production.
What I Do
Working within tight production schedules and budgets, I am known for my attention to detail, problem-solving approach, and reliable turnaround. I collaborate closely with directors, designers, and technical teams to translate creative concepts into functional, story-driven props.
My background in design, combined with years of hands-on prop fabrication and replica building, gives me a practical understanding of both visual authenticity and construction techniques.
My Experience
I build and source props intended for frequent handling and repeated use, prioritizing durability, safety, and visual credibility on stage. My work includes furniture, set dressing, hand props, and specialty items such as stage food and period objects.
As a props buyer, I am part researcher and part treasure hunter—drawing on knowledge of design history and material culture to locate or adapt the right object for each production and ensure that every piece supports the world of the story.
I am an IATSE Local 828 Scenic Artist and Props Permit.
Film and Scenic Work
I have recently expanded into film production, contributing as a Set Dresser on a feature film production. My experience in theatrical props, scenic detail, sourcing, and fabrication translates naturally into creating believable lived-in environments for camera.
Drawing on a background in visual design and prop fabrication, I approach scenic work with an emphasis on texture, authenticity, and storytelling through objects and environment.
Working Style
I am known for:
- creative problem-solving for challenging prop requests
- collaborative work with designers and directors
- careful research and historical detail
- reliable turnaround under tight production deadlines
- "on time and under budget"